Game Review: Diablo 3

Diablo 3 is out. But is it a game? Or is it the most brilliant money making scam in internet history?

Movie Review: The Avengers

Okay, okay, I posted my Avengers review. Get off my back already, geez.

The Most Important Comic Book You've Never Heard Of

Action Comics #1. Detective Comics #27. Why is All-American Men of War #89 as important as these great comics -- and why have you never heard of it?.

Tales From the Vault: Lois Lane #93

If you thought Superman was a total tool before, you ain't seen nothing yet.

Mass Effect 3: The Official Review

Mass Effect 3 isn't the end of the world, it just portrays it.

Showing posts with label Magneto. Show all posts
Showing posts with label Magneto. Show all posts

Saturday, December 12, 2009

Hanukkah Special: The Top Ten Jewish Comic Characters

This year, Hanukkah officially started Friday night at sunset, so we thought this would be a perfect time to celebrate the many contributions Jewish creators have made to the comic book medium. Indeed, it's no exaggeration to say that if it weren't for the many Jewish creators who worked in comics during the first years of the medium's existence, comic books as we know them wouldn't exist at all. In particular, the superhero genre was dominated by and almost entirely created by Jewish comic pioneers. It's true that some of this was cultural impact from other mediums like pulp magazines and radio broadcasts of the day, but it's also true that Superman, created by the Jewish writer and artist team of Jerry Siegel and Joe Schuster, jumpstarted both the comic industry in general and superhero comics specifically.

And Siegel and Schuster were just the tip of the iceberg when it came to Jewish creators in the Golden Age. Undisputed masters like Will Eisner, Joe Simon, Juile Schwartz, Batman creator Bob Kane (okay, his master title is in some dispute) and the king of comics, Jack Kirby (real name: Jacob Kurtzberg) were just a few of the Jewish giants that created the superhero genre and powered the industry for decades. Not to mention the most famous comic creator of all, Stan "the Man" Lee, who was born Stanley Lieber and decided to work under a pen name, not to anglicize it but rather to save his real name for a planned shift to more prestigious literature.

So without further ado, let's wish all of our Jewish friends a Happy Hanukkah and celebrate together with his list of some of the great Jewish characters that have appeared in the comics that have made all of our lives more enjoyable over the past 75 years.



10. Bernie Rosenthal

Having grown up in 30's Brooklyn and fought his whole life against Nazi tyranny, it makes sense that Captain America would make some Jewish friends along the way. So when writers introduced new love interest Bernie Rosenthal (along with Cap's childhood best pal Arnie Roth) back in the 80's, it was a case of "that's so obvious, why didn't they do it before?" While a later change in writers ended up causing Bernie's departure from Cap's life, for a generation of readers, Bernie Rosenthal remains the bets choice for Mrs. Captain America. Are you listening, Marvel?





9. Colossal Boy

One of the most prominent members of the Legion of Super-Heroes, Colossal Boy was, like many of the other members of the 30th century team, given a seemingly outlandish, futuristic name: Gim Allon. Writer Paul Levitz, however, recognized Allon as an actualy Jewish surname and crafted a storyline where Allon and his new, alien wife have to deal with the realities of inter-faith (and in this case inter-species) marriage thanks in part to his Jewish heritage.













8. Songbird

Songbird, the heart and soul (and sometimes the leader) of the hero team Thunderbolts, began her existence as a pro wrestler and villainess named Screaming Mimi. Thanks to Kurt Busiek, though, she got a new lease on life as Songbird. While her Jewish background hasn't been explored (or even explicitly mentioned in the comics themselves) it has been hinted at by creators in interview2s as well as subtly referenced through her multiple Jewish surnames: her real name is Melissa Gold, while her wrestling alias was Mimi Schwartz.











7. Two-Gun Kid

Speaking of characters who are identified as Jewish entirely through their surnames (which seems to be a bit of a theme here, and for fairly good reason; for many years comic publishers were hesitant to identify characters as belonging to any specific ethnic group for fear that this would alienate readers from other groups and prevent them from being a character everyone could identify with), here's the Two-Gun Kid. Long time readers of Marvel will probably be scratching their head, since Two-Gun's name has for decades been Matt Hawk. Recently, however, the powers that be gave Matt a bit of an ethnic retcon, renaming him Matt Liebowicz, with Hawk apparently a nom de guerre. I'm not exactly sure why Marvel decided to retroactively make the Two-Gun kid Jewish, but then again, the western gunfighter was also a time-traveling member of the Avengers for a brief time. So, why not.






6. Izzy Cohen

While most characters were created to be as generic as possible, however, Stan Lee took the exact opposite approach when he created Sgt. Fury and the Howling Commandoes, specifically including as many minorities as he could in the cast to make it as diverse as possible. Thus fans were treated to Irish-Americans (Dum Dum Dugon), Italian-Americans (Dino Manelli), African-Americans (Gabe Jones) and one of the earliest and most prominent Jewish-AMerican characters in comics, Izzy Cohen, a hard-nosed mechanic straight out of Brooklyn. Izzy served as a member in good standing for the entire run on Sgt. Fury, but unlike many of his teammates didn't continue a military career (of SHIELD career) after the war but instead opened his own garage and raised a large family.








5. Arthur

Right from the get-go, flabby sidekick Arthur was one of the highlights of the superhero spoof Tick, lending a touch of normalcy to the otherwise outlandish proceedings (if you can call a grown man in a moth costume "normal"). As it happens, he's also Jewish, as we discovered when he bravely tried to explain Hanukkah to Tick back in 1997. We have a feeling that went about as well as explaining anything to Tick goes.













4. Nite Owl

One of the most influential comics of all time is, of course, Watchmen, and the moral center of that book (if such a thing can be said to exist at all) is upstanding superhero Nite Owl. When he's not wearing his owl suit, though, he's the much more unassuming Dan Dreiberg; with only twelve all too short issues to work with, creators Alan Moore and Dave Gibbons didn't get into Dan's ethnic heritage very much, but then again, it's pretty secondary to saving (or not saving) the world, so we don't blame them.





3. Magneto

Magneto is probably the only Jewish character on the list whose ethnicity is well known outside of comic book circles. That's because Magneto's origin, which includes an internment in a concentration camp, was featured prominently in the first X-Men film. In the comics, this side of Magneto was introduced as an explanation for his mutant-centric behavior, as it was meant to be a case of "never again". In the movies, though, he comes off as little better than a vengeful lunatic who mis-attributes his suffering to humans in general rather than the Nazi regime; this is especially noticeable in the third film where he spurns Mystique upon the loss of her powers. This can be blamed more on brett Ratner than on the character of Magneto, though; issues like X-Men #199, where Magneto and Kitty Pryde attend a Holocaust survivor reunion in hopes of tracking down missing relatives, are among some of the most interesting and in-depth discussions of Magneto's character done to date.





2. Kitty Pryde

Speaking of Kitty Pryde, here she is at number two on our list. While Magneto may be th emost prominent Jewish character to the general public, Kitty Pryde is undoubtedly the most prominent Jewish character within the comics community. Her heritage and faith have been a central part of the character since her inception, with the Ultimate version even wearing a large Star of David pendant as part of her standard uniform. She's also, by the way, one of the most popular and prominent female superheroes in all of comics. Normally she would place number one on the list, but that spot we had to reserve for a certain ever-lovin' blue-eyed hero known as...










1. Thing

It was a close decision between Kitty Pryde and Thing for number one on our list, but we ended up going with the original clobberer himself. Ben Grimm's Jewish background is technically a recent addition to Marvel continuity, but in a way it's been there since the start. According to many sources, when Stan and Jack originally created the team, Jack began patterning Thing's behavior and background after his own. Thing's outwardly gruff demeanor and his rough-and-tumble past, including run-ins with his former partners in the Yancy street Gang, were based on Jack's own personality and childhood. Extrapolating off of this, then, a few years ago Fantastic Four writer Karl Kesel decided to make the connection to Jack a little more explicit by writing a story where Ben comes in contact with his old rabbi, leading to a discussion of his faith. It's an interesting tale and more than enough reason to put Thing, one of the great comics characters of all time, at the top of our list.

Happy Hanukkah, everyone!


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Monday, November 2, 2009

Tales From the Vault: AMAZING ADVENTURES #10

It's another gray, dreary Monday in late autumn. The leaves are dead on the ground, frost is on your window and its dark when you leave for work and dark when you return. There's only one thing that can perk you up on a day like this: reading a vintage comic. And since you may not be able to drag your collection with you down to the office, we've taken the time to help you out by reading the comics for you and reporting what we see in this, another edition of... Tales From the Vault!

Today's offering: Amazing Adventures #10, featuring Black Bolt and the Inhumans. So what are we waiting for/ Let's get right to it!


Details: January of 1972 brings us this timeless epic from Gerry Conway with art from Mike Sekowsky and Frank Giacoia. What a perfect creative team this is. For, you know, a 1963 issue of Justice League of America. Sorry, I should wait to actually read the issue before trashing it I guess.

Synopsis: Well, I’m not really sure why this comic is in my possession, but since it is I might as well do something with it. The issue begins right in the middle of the action, no doubt continued from last issue: Magneto has defeated the Inhumans and captured the royal family. Execute them, Magneto!!! But, I guess not. No, Magneto has other plans: he uses some sort of machine to turn one of his minions into a giant ape monster with a huge brain, and then the monster uses its newly developed psychic powers to mentally control Black Bolt.

Well, sure. Why the hell not.

With Black Bolt now enslaved, Magneto scoops him up and flies to... San Francisco. Must be a Big Brother and the Holding Company show they need to get to fast. While this is going on, the rest of the royal family (minus the only cool character in the entire group, Triton) remain behind and mope around in their cage, lamenting their total lack of personalities. Medusa, though, has a cunning plan. Or so she says.

We cut away from this engrossing scene to a subplot where a supporting character from previous issues, a human, gets sucked into space by something called the Trikon. This seems to be setting up a future storyline, but since this is the last issue... hmm (more on this later).

Meanwhile, Magneto has apparently decided to skip San Fran and has instead gone to an underground base in Washington state, where he and his minions (who, by the way, are all twisted little monster people -- mutates, apparently, that he altered with his weird machine) attack in order to get "a new source of cosmic energy". Black Bolt uses his shouts to knock out the defenses, then twists a dial and voila, Magneto has "the power of the UNIVERSE". And that’s the end of Marvel.

Or, no, wait. No it isn’t. Back with the others, Medusa has sprung her cunning plan, though what exactly it entailed I don't know, because by the time they go back to her, she's basically gotten the guard wrapped up in her hair. I guess she used her feminine wiles to distract the guard while her hair went to town. Sound like a crappy plan, but, okay. It works, of course, and they free themselves, then start fighting the guards. They defeat them just in time to see Magneto's plane returning, so they hide in ambush.

Magneto, though, sees them in waiting and he orders Black Bolt to strike. Bolt does so -- by punching Magneto in the head. Wait, what? Doesn't Magneto have a personal magnetic force field? In fact, isn't he wearing a metal helmet that would pretty much protect him from some guy just punching him? Yet for some reason the plane crashes and we get the explanation that Black Bolt was faking all along because he didn't want to risk the safety of his family, but since they are free, he can attack.

"You pretended you were what you weren't -- just as you pretended to destroy those government men" and just as this plot pretended to make sense. Black Bolt didn't pretend to destroy those government men at the mountain base -- he did. He smashed the whole place and trashed all the guards and allowed Magneto to get the power source. None of that was pretense. The fact that he did all this on purpose while “pretending” to be in Magneto’s thrall actually makes it worse than if he really had been in Magneto’s thrall. Seriously, rationalize much, bro?

Anyway, Magneto's apeman attacks, and Black Bolt zaps him with a word. Magento tries to run off with his power supply, but Karnak clocks him with a couple karate moves and knocks him out. Not once does Magneto even attempt to use any of his magnetic powers. In fact, in this entire issue, the only thing he's done with them is levitate his plane, and I'm not entirely sure he was doing that either, it might just have been a regular plane. So much for having the power of the Universe; he apparently didn’t even have the power of Magneto.

Um. Yeah, so Black Bolt is still fighting the ape monster for some reason, and again he says something and blows up the room. Karnak goes to town on Magento's machine, wrecking it, but Magneto still can escape by... running out the door. Again, no powers. But his energy source suddenly blows up for no apparent reason, obliterating the room.

And then... that's it. Magneto is mysteriously gone and the royal family gathers themselves up to head back to Inhumanland so Black Bolt can regain the throne from Maximus. And that story... is in Avengers #95. Oh yeah, that's why I bought these issues. I had blissfully forgotten.

THE END!


Extras: On the list of other details about this issue I had forgotten: just how absolutely terrible the story is. Holy cow. The rest of this issue is a reprint of the origin of the Inhumans. I'm not sure where it's from, but any material from Stan and Jack should be ashamed to appear in the same magazine as this crap. In fairness, though, I should say that this was pretty early in Conway's career -- he was only 19 when this was published -- and he went on to much better things. He's admitted in interviews that he often wasn't sure what he was doing on some of these early efforts, and it shows here; I'm literally not sure he knew what Magneto's powers were, based on the story. Of course, I guess it's possible Magneto really didn't have powers during this story, but it's not mentioned anywhere and I'm pretty sure he has powers when he appears next in Avengers #110. So... yeah.

That dangling plotline about the Trikon, by the way, was left dangling for almost 20 years before a mini-series and a Quasar story in 1991 finally revealed what happened. I'm guessing that Mark Gruenwald was about the only person on Earth who cared, based on how awful this issue was, but that’s what made Gru so awesome.

It's interesting to note how successful/unsuccessful this series was. Black Widow was dumped after #8, however that same month she began co-starring in Daredevil, getting her name in the logo and everything, where she lasted for... I dunno, like 25 issues. The Inhumans, meanwhile, got their own series which lasted all of two issues before they were put on ice for the duration.

Bullpen Bulletins, in fact, announces this issue that they are turning the book over to the Inhumans, which is a little odd considering the lettercolumn and the story itself both tell the reader that the series is canceled, continued in Avengers and being replaced next issue. Another interesting note in BB is that Iron Man has "returned to a bi-monthly schedule" and that "rumors of its cancellation were greatly exaggerated". I hadn't heard that Iron Man was in danger of being canceled at this time, but it doesn't surprise me; the storyline in those issues (#45 came out at the same time as this) are some of the crappiest things I've ever read, and I’m a guy who just read Amazing Adventures #10, so I know my crappy.

The BB also mentions that they had planned (and announced) a price increase from 15 cents to 25 cents, with the issues being double sized, but changed their minds due to unexpected changes in the financial situation. Yeah, they realized that DC was doing the same thing and that they could crush them by dropping the price to 20 cents. Hence there was only one month when all the Marvel books were double sized 25 cent issues -- the November, 1971 issue, which also featured the first frame cover design, all of which was in celebration of Marvel's 10th anniversary. And sure enough, Marvel's 20 cent books ran roughshod over DC's 25 cent comics in one of the biggest missteps in DC's long publishing history.


My grade: B+ for the Gil Kane frame cover with the cool Black Bolt logo, D- for being one of the worst Marvels of the era and the single lamest Magneto appearance ever. Sorry, Gerry!



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