Game Review: Diablo 3

Diablo 3 is out. But is it a game? Or is it the most brilliant money making scam in internet history?

Movie Review: The Avengers

Okay, okay, I posted my Avengers review. Get off my back already, geez.

The Most Important Comic Book You've Never Heard Of

Action Comics #1. Detective Comics #27. Why is All-American Men of War #89 as important as these great comics -- and why have you never heard of it?.

Tales From the Vault: Lois Lane #93

If you thought Superman was a total tool before, you ain't seen nothing yet.

Mass Effect 3: The Official Review

Mass Effect 3 isn't the end of the world, it just portrays it.

Showing posts with label Jim Steranko. Show all posts
Showing posts with label Jim Steranko. Show all posts

Saturday, September 12, 2009

The Real Top 70 Marvel Covers: The Top Ten

This is it, true believers! After a week of wallowing in the greatest comic art known to man, we've finally reached the end of our countdown of the top 70 covers in Marvel history. No doubt you've been chewing nails all week, wondering if that beloved Defenders cover is going to be in the top ten, or if Al Milgrom will take number one honors. Well, wonder no more!

As always, I recommend clicking on the covers to enlarge them so you can really drink in the grandeur. And for a shortcut, here's the Real Top 70 Marvel Cover Master List.


10) Avengers #57

Ahhhh. John Buscema returns to blow us out of the water with the classic cover to Avengers #57. The first appearance of Vision, this cover is pretty much made by the monotone red coloring. The brooding figure of the Vision reaching ominously out of the crimson smoke as the Avengers fall back in shock is an indelible image of Silver Age Marvel and is also one of my favorite covers.












9) X-Men #58

Hey, look, guys. It's Neal Adams! It's true that Adams did much more work for DC than he did for Marvel, but you might have been wondering where his classic covers have been as we counted down the list. Have no fear, they're right where they should be: in the top ten. Adams really outdoes himself with the use of color and design here; the concentric circles from Havok's costume merging to allow you to see through him to the X-Men on the other side is an amazing effect, heightened by the choice of colors for Havok. Another instance of a character's first appearance being accompanied by a brilliant cover.








8) Incredible Hulk #377

The third cover on today's list is also the third one to feature bold experimentation with color. I'll admit that it took me a long time to warm to this effort from Dale Keown, but I have to give it up. The black and white Hulk, cast almost (but not quite) entirely in silhouette against the neon green background creates such a vibrant look that it just about strobes right off the page (or screen) and straight into your brain. Combined with the (perhaps questionable) use of the pink logo, the cover packs a massive visceral wallop, perfect for the defining issue of Peter David's long Hulk run.








7) Journey Into Mystery #89

It's interesting to note how many of these covers are first issues or first appearances. Some of this is because those issues have gained fame over the years due to the popularity of the characters or series involved, but another factor is that those issues were about the only ones that featured pin-up style images instead of action shots from inside the comic. Thus they lend themselves to becoming more iconic or memorable. One interesting departure from this, then, is Journey Into Mystery #89. In just the seventh issue of Thor's series, Jack Kirby goes back to the pin-up look to create one of the most indelible cover in Marvel history. It's just a gorgeous piece of art and it's interesting to speculate why they decided to go with this design rather than the type of action shots that the series had otherwise been using. Whatever the reason, though, this image of Thor became the one that stuck in the mind of contemporary fans; in some ways, it was the image that made Thor become Thor, and it appeared on T-shirts and posters for years afterwords.




6) Captain America Comics #1

The cover of Captain America Comics #1, from Joe Simon and Jack Kirby, is famous for a number of reasons, many historical. For instance, it's well known that this cover showing Cap punching out Hitler appeared on the newsstands almost a full year before America went to war with Germany, which resulted in quite a bit of controversy for the publisher. But those sorts of details aside, it also deserves a top ten appearance for a much simpler reason: it's a beautiful comic book cover. The design, with the logo in front of the red white and blue stars and stripes, is crisp, and the layout of the action is well conceived also. But it's the terrifically rendered figure of Captain America himself that really makes this cover. I'd be happy to find art like this in one of today's Marvels; for a comic that came out nearly 70 years ago, it's astounding. Not to mention that the overwhelming, instant popularity of the character that flowed from this first issue essentially provided the backbone of Timely for years to come. One of the greatest comic book covers, regardless of publisher, of all time.




5) Giant Size X-Men #1

Gil Kane makes another appearance on the list, this time assisted by Dave Cockrum, who designed most of the new X-Men who appear for the first time on this cover. The basic premise -- the characters smashing through the cover itself -- is a simple but powerful statement, as they are also smashing through the image of the original, old X-Men, who gape in astonishment. It's a signal that the somewhat staid old X-Men (which, after all, had been cancelled once already and were at the time strictly a reprint title) was gone and a new, more exciting X-Men was replacing it. This is one of the most copied, homaged and referenced covers in Marvel history.







4) Captain America #111

It just wouldn't feel like a real countdown if today's selections didn't include a cover from Jim Steranko, and what better choice than perhaps his most famous cover, Captain America #111. I've said before that Cap lends himself to iconic images, and perhaps no Captain America cover is as famous or iconic as this one. You can see the pop art influences in the bottom half of the work -- the same kind of montage feel as he used on SHIELD #4, for example -- but here it is stripped down, with the flat white background helping to emphasize the figure of Captain America himself as he dominate the rest of the cover. It pushes the boundaries without going over the edge (as some of his more experimental covers could be accused of doing) and as a result has become one of the best loved covers of all time.





3) Tomb of Dracula #1

This may be my favorite comic book cover of all time. It's just a beautiful, moody, atmospheric drawing that perfectly captures the essence of Dracula and set up the series for a long and successful run. Accentuating the image is the pitch perfect, blood red frame and the gorgeous logo, which I think is one of the best comic logos ever designed. So, who drew this great cover? Even though he did a lot of mood pieces during his tenure at DC, I was surprised to learn that this was done by none other than Neal Adams. Usually you can tell a Neal Adams figure from a mile away, but other than maybe a little bit in the face, this doesn't bear his characteristic stylizations, and the piece actually benefits as a result. A comic so beautiful, I bought a copy just for the cover.






2) Silver Surfer #4

Of all the omissions on the official Marvel list, none is as egregious as the failure to include Silver Surfer #4. We've seen over the course of our list how artist John Buscema was playing with this basic design -- heroes facing each other on a black background. Here it's tweaked a bit; the background isn't flat black, it's got just a hint of detail, enough to provide the setting for the readers. But it's really the dynamic nature of the figures, caught in that split second before the violence begins, that really makes this piece. This cover is frequently singled out by today's pros as one of the best and most influential covers of all time, so it's no surprise that the issue itself has become extremely desirable and expensive for that very reason. Of all the covers on the list, this one may be the most "Marvel" of all of them.





1) Amazing Fantasy #15

So here it is, our number one Marvel cover of all time. And whle I don't think there's much doubt about this one, it's interesting that at one point there was a lot of doubt over what the cover of Spider-man's first appearance should look like. In fact, this is actually the second completed cover for this issue, as Spider-man co-creator Steve Ditko turned in a different version that was rejected by Stan Lee. While the original was more in keeping with the essence of the character -- it's less of a heroic figure we're looking up at and more a skinny, awkward figure swinging by at our own level, one of us -- the new cover by Jack Kirby was one designed to sell the character and move copies of the comic. And that it most definitely did. It's hard to say how popular Spider-man would have become if Stan had stuck with the original cover, but one thing is certain: this cover is not only powerful and inspiring, it's also the most famous cover in Marvel history, showcasing their most popular character as drawn by the greatest artist comics has ever produced. That all adds up to one thing: number one on our list.


Tomorrow: Well, that's it folks, the Top 70 list is complete and... wait a minute. Where the hell is Journey Into Mystery #83? What kind of rip job is this?! Tomorrow I'll explain why Thor's first appearance is missing from this list and you, my legion of dedicated readers, can chime in with your votes. Which covers should have made the list? Which ones should never have been on it to begin with? We'll cover it all... tomorrow! See you then.


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Friday, September 11, 2009

The Real Top 70 Marvel Covers: #20-11

We're almost at the end of our countdown of the top 70 covers in Marvel's long history. Today we hit #20-11, the last stop before the fabled top ten. Will your favorite covers make it to the pinnacle? Check in and find out. And, as always, click on the images to enlarge for a better look at these timeless classics.

Plus, as a shortcut, here's the Real Top 70 Marvel Cover Master List.


20) Amazing Spider-man #39

Two days ago we saw the second half of this classic storyline; today, the first chapter takes its rightful place on the list. One of the most famous covers in Spider-man history is also the first cover of the series done by Jazzy John Romita. Talk about making a good first impression. The beautiful graded blue sky behind the characters is the perfect backdrop for the jaw dropping image of Spider-man captured and unmasked by his arch-enemy. For once, the cover blurb from Stan trumpeting a comic book first wasn't hyperbole but a mere statement of fact.









19) X-Men #101

Dave Cockrum provides this great cover, heralding the beginning of the Phoenix storyline and the transformation of boring old Marvel Girl into a force of nature that would help propel X-Men from a struggling, already-canceled-once series into a multi-media powerhouse. To stretch the metaphor, it's almost as though the series itself is rising from the ashes with this cover (which, incidentally, comes on the heels of another great cover for #100 that just missed making the list).










18) Hulk Special #1

Oh, Jim Steranko. There's a reason he's one of the most acclaimed artists in comic history, and this cover is just another bit of proof that factors into that verdict. It's also another example of how Steranko draws Hulk better than any man alive or dead, so it's a shame he didn't have more chances to do it (his Captain America #110 cover showed up on the list yesterday and his awesome Hulk cover for Foom #2 just missed the list; plus, that's technically not a comic book anyway). This cover was recently homaged on the first issue of Incredible Hercules by Art Adams to excellent effect.








17) Captain America #25

The most recent cover on our list comes from the Death of Captain America. Like New Avengers #1 and Spider-man #1, this is one of the few great covers that had to compete against variants for attention, just one of the many, many reasons I dislike variants. It's also another example of how creative design work that incorporates the logo can be a beautiful thing (and one of three such examples from today's section of top covers). But mainly, it's just a powerful, iconic image -- you don't even need to see anything but Cap's open, chained hand to know what happened. It's a bold choice, to focus so intently on such a small aspect of the overall scene, and it paid off beautifully here.







16) Incredible Hulk #340

Todd McFarlane appears again, this time with the cover that made him famous. Now, I'm not much of a Wolverine fan, but this cover pretty much defines the time period it came from. Just as Wolverine was really becoming a corporate juggernaut and Marvel was starting to seriously pimp him out in crossovers and guest appearances, Todd McFarlane was also on the cusp, getting some buzz for his earlier work but not yet becoming a superstar. This cover was the perfect marriage of the two elements, and helped push both the character and the creator -- Wolverine and McFarlane -- into the stratosphere. Incredible Hulk #340 was voted the #1 cover of all time by the dudes who put together the official top cover list, and while I think their rankings were out of whack, I can't deny the legacy of this cover.






15) Amazing Spider-man #50

The second John Romita entry today is the startling and evocative cover for issue #50. From a storytelling perspective, this issue signaled an important change in perspective for the series as a whole. It introduced the Kingpin as a major villain and while Peter eventually decided to return to his role as Spider-man, the soul-searching in this issue marked a more mature take on the character; he was no longer the geeky high school student that he had been under Ditko, instead he was a college-bound young adult. This cover from Romita perfectly illustrates this new maturity and has become one of the best known and most homaged covers in Marvel history as a result.







14) Secret Wars #10

We've been getting a double-barrel dose of Mike Zeck all week, but this time he's hitting us with a full scale thermonuclear assault. This cover, showing Dr. Doom's battle against the Beyonder, just about knocked me out cold when I first saw it as a kid and for a whole generation of comic fans it remains the definitive image of Dr. Doom. It's also one of the coolest covers ever, a fitting way to wind up Secret Wars considering how many memorable and classic covers Zeck produced for that series alone. It might not be the #1 cover of all time, but it's probably the #1 most kickass cover of all time.








13) X-Men #141

Just as Secret Wars #10 was the pinnacle of a great run of covers from Zeck, X-Men #141 is the cap stone for an epic series of covers from John Byrne. Starting with the "Phoenix grabbing the logo" cover for #135, Byrne turned out one masterpiece after another; even the covers with a less dramatic image, like #139, are famous for the text instead. But as cool as covers like "Exit Cyclops" on #138 and the covers that have already appeared on this list are, none of them can match #141 for importance, popularity or flat out visual sweetness. Arguably the most famous X-Men cover of all time, which is saying something.








12) Avengers #4

As I've mentioned before, Captain America's flag costume lends itself to the creation of iconic covers. It's no surprise, then, that the return of Cap to the pages of Marvel after almost a decade of dormancy was heralded with a great cover from Jack Kirby. Strangely, it's not really his cleanest work; it almost seems a bit rushed and rough around the edges in some ways. Yet, this just adds to the feeling of frenetic energy the viewer gets from the image of Cap leaping straight at you, ready to kick your ass if it needs kicking (and from what I hear, it does). Even the elements that maybe shouldn't work, like the inset of Namor, work anyway, and the Frankenstein shout of "Captain America Lives Again!" just adds to the primal call. In other words: hell yeah!






11) Marvel Spotlight #5

This is one of my favorite covers for several reasons, but let's start right at the most basic part: Mike Ploog's art and the great character design for Ghost Rider. Then, we can look at the cover design. This cover is one of the best examples of why I love the frame period in Marvel covers. By all rights, there is way too much text going on here; yet, thanks to the frame, the words and blurbs don't detract from the image, as they are kept separate. In addition, the frame allows Ploog to have Ghost Rider himself break the frame to bleed out and up into the logo. The effect of this is that Ghost Rider almost appears to be coming right off the page; it's a like a 3-D effect without the need for glasses. One of the most striking covers of the day and another bit of anecdotal evidence to suggest that having a great cover for a character's first appearance goes a long way to making that character a success.





Tomorrow: This is it, folks -- the top ten Marvel covers of all time! Will your favorites be there? Will ALF #1 end up taking the top prize? Tune in tomorrow to find out!


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Thursday, September 10, 2009

The Real Top 70 Marvel Covers: #30-21

Previously on the real top 70 Marvel cover countdown: we looked at a slew of awesome comic book covers from Marvel's 70 year history. Today: we do more of that, only now we're up into the top 30. Today's buzzword: Jim Steranko. Technically that's two words, but whatever. On with the show! And, as always, you can click on most of these covers to make them bigger and more majestic. It's like internet viagra.

And for a shortcut, here's the Real Top 70 Marvel Cover Master List.


30) Secret Wars #1

Mike Zeck brings us another classic from the Secret Wars mini-series. Of all the work Zeck has done, nothing illustrates the disparity between his cover work and his interior work like Secret Wars. I've mentioned it before, but it's really striking in this series. That's not to say that his interiors are bad; they just don't (or maybe can't) live up to the sweet covers he was dropping during this classic run.











29) Captain America #110

This was the first of Steranko's three issues of Captain America, and the second of those three covers to appear on our list. As I mentioned yesterday, I'm not a big Hulk fan, but for my money nobody ever drew Hulk as well as Jim Steranko. Even I would buy a Steranko Hulk comic. This is even better, though: it's got Hulk in it, but it mostly has Captain America, so that's a win-win for everyone. This is how Hulk should be used, after all: as a scary bad guy busting stuff up in other people's comics.










28) Amazing Spider-man #129

And now, here's Gil Kane. Considering Kane is one of the great cover artists of all time, it's surprising how few Kane covers have made the list. This is perhaps his most recognizable. It's not notable just for the first appearance of Punisher -- who, say what you will, has a striking costume design -- but also for being one of the best uses ever of the "hero in the gun crosshairs" motif we discussed a couple days ago. Plus, the cover is yellow, which is the best color for covers in my opinion. Nothing gets my blood flowing like a nice yellow cover. Mmmmm.









27) Nick Fury, Agent of SHIELD #6

You pretty much can't go wrong with any of Steranko's classic SHIELD covers, but while this isn't the most famous of the batch, it is certainly my favorite. For my money this is one of the coolest comic book covers of all time. That giant moon and the exploding Earth in the background... just beautiful.














26) Uncanny X-Men #137

Here's a classic case of what might have been. This cover is among the most famous in the long and storied history of X-Men, partially because of the story inside but mainly because of how well this cover dramatizes that story. As I've mentioned previously, Byrne was in the midst of a nearly unparalleled run of great covers (perhaps matched only by Steranko on SHIELD and Captain America or Kirby on Fantastic Four), turning in one classic after another. X-Men #137 should have been his crowning achievement. However... then they put that godawful banner on the top. It's a testament to the power of Byrne's image that it isn't completely ruined by the banner, but this is a cover that could have been one of the top ten great covers in Marvel history if marketing and terrible design hadn't conspired to crap all over it.





25) Fantastic Four #48

Yesterday we saw Jack Kirby knocking it out of the park on the dynamic, action filled cover of Fantastic Four #49. Today we step back one month to the set-up, and once again Kirby is knocking socks off. This time, though, it's the pervasive mood of foreboding on this cover that really hits home. You just want to tear open the comic and find out what terror is so frightening that even the Fantastic Four and the damned Watcher are recoiling in fright. And the masses of people gather on the rooftops in the background just add another layer. Whatever is going on, you know it's epic. A great effort from Kirby.








24) Spider-man #1

Todd McFarlane makes his first appearance on the list with perhaps the most ubiquitous image of the 90's: the cover of his massive mega-hit Spider-man #1. of course, that series left a somewhat bitter legacy, as it began the artist-first era, including the creation of Image and the explosion of the collector's market, all of which eventually led to the near-collapse of Marvel and the entire comic industry as they all chased a cheap buck. So that part is a bit of a negative. But the cover itself still stands up. The existence of multiple variants dilutes it only slightly, but since they are all essentially the same image, we're going to count them as one cover. I prefer this classic version to the black costume, so here it is.






23) Marvel Comics #1

It's only fitting that the comic that launched the entire company should be represented, so it's fortunate that the cover of Marvel Comics #1 is actually pretty cool in its own right. The pulp influence is obvious; indeed, if it didn't have the word "comics" in the logo, you'd be hard pressed to tell from the cover that this isn't a pulp magazine rather than a comic book, which makes sense as it was painted by pulp artist Frank R. Paul. But as out there as some of the sci-fi pulps were getting at the time, the image of the Human Torch burning through his containment shield and melting the bullets as they hit him is still fantastic in a way unique to comics. A great way to kick off the company.








22) Fantastic Four #51

Another month, another all-time classic cover from the pen of Jack Kirby. "This Man, This Monster" has long been hailed as one of the greatest stories in Marvel history, and this evocative cover of an emotionally defeated Ben Grimm is the perfect gateway to that tale. The only tiny quibble I might have with this is the use of the grey-tone machinery in the background, which is a pet peeve due to total overuse during the time period (check out Avengers #36 for a particularly egregious example). But in this case, it actually works, as does the pleading figure of Sue. After the literally Earth-shattering stories and covers of the Galactus trilogy, this sudden shift to the drama of the human heart is like a punch to the gut.







21) Nick Fury, Agent of SHIELD #4

Jim Steranko lands his third cover of the day with this classic cover. This is essentially the apex of Steranko's mod design work, and the psychedelic, black and white background forms a perfect contrast to the somewhat stiff, conventional color figure of Nick Fury. It's justly famous as one of the most innovative and striking covers of the time period, and has been homaged and referenced untold times since.











Tomorrow: The top 20! More Zeck! More Steranko! More Byrne! What the hell, didn't anyone else ever draw and good covers for God's sake? Time is running out for your favorite covers. Will they be in the top twenty? Tune in tomorrow to find out!


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Wednesday, September 9, 2009

The Real Top 70 Marvel Covers: #40-31

All this week we're counting down the REAL top 70 Marvel covers of all time, as opposed to the fan poll version that Marvel released on their official site. Not that fan opinion isn't great, but if it was the end-all, be-all of aesthetic judgment we'd all have been stuck reading Lobo vs. Howard the Duck three times a month. Tastes change, but classic art is forever.

Enough with the rationale, lets look at some cool comics! (And for a shortcut, here's the Real Top 70 Marvel Cover Master List).



40) Conan #1

Back in the late 1960's, those whacked out dope fiends known as the hippies re-discovered fantasy and helped turn it into a mainstream genre. But putting out a comic based on a forty-year-old swords and sorcery pulp character was hardly a sure bet. Marvel's decision to give licensed properties a try was a bold enough move; putting relatively unproven young penciller Barry Windsor in charge of the art was even bolder. The result, however, was a blockbuster smash, turning Conan into a mega-hit, leading Barry Windsor-Smith to become one of the most acclaimed artists in comics and paving the way for dozens of other wildly successful licensed properties for Marvel in the future. All of that was kicked off with this fantastic cover which could still front a new comic today and sell copies. Just a great piece of art and the foundation of fantasy as a viable comic book genre.




39) Amazing Spider-man #33

Arguably the most famous work Steve Ditko ever did, this cover of Amazing Spider-man leads into (as the blurb says) the final chapter of the epic Master Planner storyline. This multi-part tale capped the classic Lee-Ditko collaboration with one of the most legendary sequences in comic history, showing Spidey struggling to free himself from a collapsed building before the rising water drowns him. This cover encapsulates the mood of the story inside perfectly in one striking and memorable image. It's only fitting that perhaps the best Spider-man story of all time also had one of the best covers in the character's history as well.








38) Sgt. Fury and His Howling Commandos #13

Sgt. Fury #13 is interesting for a few reasons, almost all of which have to do with the guest appearance by Captain America. This was fairly soon after Cap's revival, so it's no wonder that he was so prominently feature don the cover. However, this seems to be one of the few times where the old "Because you demanded it!" line was actually accurate. The letter column in Sgt. Fury had been jammed with people begging for this crossover, but more evidence can be seen by what did not happen: in the 150+ issues of Sgt. Fury that followed this, no other Marvel hero ever appeared in the book despite repeated requests. Marvel wanted to keep the war action relatively realistic and balked at having any hero involvement, but just this one time, reader demand was so heavy they had to give in. As it happens, Jack Kirby provided one of the most iconic images of Captain America ever as a result, so it's a lucky break for comic fans that they did.



37) X-Men #1

The second X-Men #1 to appear on our list is the original, courtesy of Jack Kirby. Its inclusion here was earned by the numerous homages (including that Jim Lee version as well), as well as the fact that the team's massive popularity has made this a famous image among comic fans and, to a lesser extent, non-comic fans alike. Having said that, I'm not really a big fan and I suspect that had Wein, Cockrum, Claremont and Byrne not revitalized the franchise a decade later, few people would care much for this cover. That's not to say it's a bad cover, though. An interesting comparison is Avengers #1, which came out the same month, was also drawn by Kirby and features the exact same layout -- i.e. the villain on the left side of the cover with the arrayed heroes attacking him from the right. However, on the Avengers cover, the heroes seem to be kind of just milling around, whereas on the X-Men cover they are dynamic, springing to action. The white background also helps compared to the red color scheme on Avengers. Overall, then, I felt obligated to include this cover, so here it is, but it certainly doesn't warrant any higher rank than this.


36) Amazing Spider-man #40

Once Ditko was off the book, of course, Lee teamed up with Jazzy John Romita for a two-part epic that blew the doors off Spidey and comic book cliches both. The arch-villain learns the hero's identity? And vice versa? Wha huh?! It's always hard to replace a massively popular creator like Ditko, but Romita couldn't have hit a bigger home run that the classic covers he turned in on his first two issues. Just by looking at the cover you could tell that the book not only was in good hands, but that it might even be reaching new heights.










35) Avengers #16

The classic Silver Age barrage continues with Avengers #16. The historical importance of this issue is well known, so I won't rehash it here, but the importance of what happens inside the issue sometimes overshadows the iconic nature of the cover itself. The image of Captain America shouting "Avengers Assemble!" has become synonymous with the Avengers themselves over the years and has been homaged countless times. It's also just a really striking cover, thanks in large part to the blue background; but it's the text that really make this cover, which means this is also one of the only classic comic book covers known more for the blurbs on it than the art itself (which, by the way, is from Jack Kirby, of course).






34) Fantastic Four #49

Galactus! The Silver Surfer! The Fantastic Four! This cover showcases Jack Kirby at the height of his powers. It's just an epic image, with our heroes now small and running from the incredible might of Galactus, who is emerging from the clouds to blast them into oblivion. And while some cover blurbs can detract from the cover (for instance, the otherwise awesome Amazing Spider-man #40 which I just cited probably doesn't need that "Spidey Saves the Day!" blurb -- it gives away the ending a little and is also superfluous since the "End of the Green Goblin" below is much more powerful), this cover's "If This Be DOOMSDAY!" is just perfect. Stan and Jack, setting the bar for the rest of the industry on one great cover.






33) Strange Tales #167

Jim Steranko makes his much anticpated return to our list with this patriotic SHIELD cover. Steranko was no dope; he knew that the American flag is one of the most recognizable and iconic images in the world. It's no surprise then that his Captain America covers would be among the most famous ever produced. Here, on the less famous Strange Tales series, he toys with this theme to brilliant effect. Don't worry, though, we'll be seeing more of Steranko again later.










32) Hulk #1

Okay, everyone probably knows by this point how much I hate the Hulk. Specifically, I think he should only be used as an antagonist in other comics because his on series has pretty much been 45 years of desperate flailing as writers try to figure out some way to write stories about a one-dimensional, boring monster. Still, this is a cool cover. It's also interesting because for my money, the whole cover is made by the giant question mark. I'm not sure when this was decided on -- if Kirby drew the cover intending the question mark to fill that space all along, or if it was added in post-production -- but however it came about, it's a great piece of graphic design and turns an other wise solid cover into a really cool cover. Plus, this cover is also nice because if you were a kid seeing it on the stands, you would be tempted to read it due to your total ignorance of who the Hulk is -- if you don't already know how pointless he is, then this cover is a lot more appealing.



31) Amazing Spider-man #122

You may have gotten the impression that this part of the countdown is where I stuck a lot of the covers I was obligated to include but don't actually like that much. Well, here's Amazing Spider-man #122, which from what I gather is a favorite for a lot of people. It's a perfectly fine cover, and I certainly can't argue with its importance. However, on strictly aesthetic grounds, I much prefer the cover to the preceding issue, #121. Spidey freaking out as he looks at the head shots of his supporting cast against the brilliant yellow background is just sweet. This cover, on the other hand, doesn't really strike my match, but I seem to be in the decided minority on this count, so we'll just leave it at that.







Tomorrow: Hey, wait. Gwen Stacy got killed on the last cover, so the Silver Age must be over! So tomorrow you can expect more comics from the bronze age, the modern age, the golden age and every other age of comics. But mainly, the Steranko age. See you then!


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Tuesday, September 8, 2009

The Real Top 70 Marvel Covers: #50-41

So, you want to know what's number one in the hood, G? Well, first you have to find out what's #50-41 in the hood, which in this case refers to the entire history of Marvel Comics. We're on a quest to determine the real top 70 covers for Marvel, so keep reading and get your awesome shoes on, 'cause it's time to dance. Metaphorically. And for a shortcut, here's the Real Top 70 Marvel Cover Master List.

Oh, and click on the images to make them big and stuff. Let's go!


50) X-Men #190

It's always interesting when artists experiment with cover design, particularly when they incorporate the logo into the image. X-Men #190, which comes in at number 50 on our list, is an excellent example of what can be done when editorial unleashes the artist and allows this kind of experimentation (and we'll be seeing more funky logo work later in the countdown). Drawn by Chris Bachalo, this cover is also just a cool use of Iceman, which is a very rare thing indeed.










49) Captain America #332

Another day, another classic cover from Mike Zeck. This time it's from his great run on Captain America, which produced a number of striking and memorable covers. None of them, however, topped this classic, which began the 19 issue epic by Mark Gruenwald exploring why replacing Steve Rogers with a new Captain America is just a bad plan since the man makes the costume. Given recent events in Cap, this story is more timely than ever; the cover, however, has never gone out of style. P.S. -- Special props for the crying Abraham Lincoln portrait in the corner box.









48) Iron Man #128

In the history of Iron Man, which is close to a half decade at this point, no image is as famous among comic fans or as identified with the character as this cover from Bob Layton. It's just a great change of pace cover -- no action, no fighting, barely even a costume. Indeed, it's really a cover about Tony Stark rather than Iron Man. This image (and the storyline that followed) has become so ingrained in the minds of comic readers that you almost can't think about Iron Man without thinking about this cover. That's not necessarily always a good thing, but it certainly speaks to the power of this image.








47) Marvels #4

The second of our covers from Alex Ross and Marvels brings us another classic comic cover motif -- characters reflected in someone's eyeball. It also is a striking rendition of a classic storyline; in a way, the image is enhanced by the reader's knowledge of what it represents. That sinister grin on Green Goblin's face is a twist of the knife because you know what's going to end up happening to his captive, Gwen Stacy. Ross plays nicely on the reader's familiarity with the subject matter in this classic cover.










46) Thor #337

Speaking of covers that incorporate the logo into the image, here's Thor #337. Perhaps no cover has so successfully used the logo as this introduction of Beta Ray Bill and Walt Simonson to the book. Simonson viscerally shows how he is smashing the book's somewhat stagnant stereotypes by bringing in a shocking new version of Thor and by literally blasting the old logo and corner box to pieces. One look at this cover pretty much tells you everything you need to know about what is inside and what is to come in this title: the old is gone and in its place, anything can happen.









45) New Avengers #1

This cover from David Finch is notable not only because it appears on my list even though my dislike of New Avengers is pretty well known, but also because it's one of the most recent covers I chose. Part of this is because it's simply too soon to tell in most cases just what covers are going to end up being memorable; and part of it has to do with the design philosophy currently in place at Marvel. While pin-up style covers are often memorable and usually attractive, I think Marvel is kind of overusing this these days to the point where many of the covers are almost indistinguishable from each other. For instance, try randomly rearranging the covers for the entire current Thor series and see if you can tell which cover goes to which story. I bet you can't really tell (other than the Iron Man appearance). This inherently limits the iconic potential of the covers. They may all be beautiful, but is one beautiful cover more memorable than the next? New Avengers #1 managed to avoid this -- and also managed to become iconic despite the fact that there were several variant editions as well, another factor in reducing the iconic potential and basic memorability of today's covers (after all, if there are five versions for each issue, how can any one image becomes synonymous with the story?). For those reasons, and for being the top image identified with the industry's best selling title for the past half a decade, New Avengers #1 gets the nod. Plus, it honestly is a cool cover.



44) Daredevil #182

This is probably one of my more controversial decisions on the list (though there's one later that may be a bit more debatable). It's certainly true that the preceding issue, Daredevil #181, is a more famous cover (it's the yellow one with Elektra and Bullseye jumping at each other). However, in terms of the actual image itself, I've always found this cover to be the more powerful cover. #181 is the tease -- what will happen? But #182 is the heartbreak that follows -- it's the real power of the story. Elektra's death is only important because of how it affects Daredevil, after all, and that is perfectly and beautifully spelled out right here. Art, of course, by Frank Miller.








43) Fantastic Four #1

Okay, so you may be wondering why the cover that launched the Marvel Universe is ranked this low. Its historical importance cannot be denied or overstated, its true, and artist Jack Kirby does a fine job of both introducing the characters and providing a visual bridge for readers from the monster books Atlas had been putting out to this new superhero aesthetic. In other words, it's a solid, effective cover. However, it's not a great cover by any stretch (no pun intended); the greatness is in the history, not in the art. Because of this it should be included, but I can't really put it any higher, because there are other books that are both important and feature better art and design. Still a classic, though.







42) Captain America #113

This is one of my all-time favorite covers. Drawn by Jim Steranko during his all too brief but still legendary stint on Captain America, this cover has one of the most perfectly realized moods in cover history. From the monument to the grieving form of Rick Jones prostrate on the ground to the skulking figures of the Hydra squad closing in on him, every detail is perfect, especially the creep moon shining dully above. The green background chosen for the night sky is pitch perfect, which you can pretty much say about every aspect of this cover. A masterpiece.









41) Avengers Annual #2

One of the resources I consulted when figuring out my rankings was Wizard. Don't laugh too hard. Even though Wizard is usually worthless, they do occasionally have a good idea, and probably the best of these is their ongoing feature where they ask contemporary artists to list and discuss their ten favorite covers of all time. Some covers just come up over and over again (most of them are on this list) and one of the most often cited covers is this classic from John Buscema. Here Buscema is again expermienting with the heroes fighting each other on a black background, but this time he's got two entire teams facing off. There may be more famous team vs. team covers, like X-Men #100 or Avengers #141, but none quite have the same level of dynamism as this great example from the legedary Buscema.






Tomorrow: The Silver Age takes over, with a batch of classic images sure to drive you mad with the power of art. Get in your way back machine, because Merry Marvel is on the March!


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