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Showing posts with label J. Michael Straczynski. Show all posts
Showing posts with label J. Michael Straczynski. Show all posts

Tuesday, December 15, 2009

J. Michael Straczynski's Thor in Review

The final issue of J. Michael Straczynski's acclaimed run on Thor has come to an end with the publication of Giant Size Thor Finale #1, so it seemed like a good time to take a look back at what JMS managed to accomplish and, of course, what he failed to accomplish with this run.

In many ways the Giant Size Thor Finale perfectly embodies all the things that frustrated me about this run. Firstly. it's published as an oversized special rather than a regular issue for no apparent reason other than to tack an extra dollar onto the price point. Not only do the events in this issue flow directly from all the previous issues, it's not a finale at all, as it is open-ended and leads right into Thor #604, the first issue by new (temporary) writer Keiron Gillen. Plus, the story is the same length as every other issue of Thor, with the "Giant-Size" aspect simply being more reprints.

This is an all-too familiar scenario for Thor readers since JMS took over back in the summer of 2007. That first issue of Thor, cover dated September but actually released in July, was a full two and a half years ago, which by normal publishing standards would mean that JMS should be completing a 30-issue run if the indica of the comic, which claims to be monthly, weren't a bald-faced fib. Instead, JMS managed only 17 issues during that time period, meaning the rest of the Thor publishing slack was picked up by a series of fill-ins, one-shots, reprints and specials, some of which, it should be noted, were actually better than the main product (thanks to the presence of Matt Fraction on many of them).

Giant Size Thor Finale is also symptomatic of JMS's modern (that is, slow) writing style, as it doesn't tie up his run so much as extend it yet again, continuing the pattern of dramatic deferral that JMS has perfected. About the only thing that is resolved, if you want to call it that, is the long-running, ongoing subplot of Oklahoma beef slab Bill and his erstwhile Asgardian lover Kelda. This ends with Bill dying to protect Balder and Kelda rushing off to confront Dr. Doom, who has teamed up with Loki to capture and dissect Asgardians in order to study their immortality. In the first few pages of Gillen's Thor #604, she shows up and Doom promptly rips her heart out. So after two plus years of this subplot, the point of it turned out to be... what exactly? I'm wondering just what these characters were intended to bring to the table, because if it was just this sequence, that's a ton of wasted pages to set up something that could have been accomplished without either of them existing in the first place.

If all this sounds overly harsh, it's because the real frustration with JMS's Thor is that parts of it were really good -- good enough to make the weaknesses especially glaring and annoying. Mostly, of course it's the pacing that was an issue, as even if these comics had come out on time there's no real reason it should take 17 meandering issues to get to this point. For those keeping track, the first arc of six issues brought the Asgardians back from their seeming death; the second arc, which was the high point of the series, gave us a glimpse at Loki's origin and his plot to have Thor exiled; and the third arc, still in progress, has the Asgardians moving to Latveria where they run into Doom.

Along the way we've had an inordinate amount of monologuing, especially between Thor and his alter-ego Don Blake; an extended series of vignettes in Oklahoma apparently designed to show the contrast between Asgardians and normal humans (something they didn't do particularly effectively or compellingly); this long-ass subplot with Bill and Kelda, which went nowhere; Loki as a woman for a year or more (why, again?); and basically one single issue with any action in it (the battle between Thor and Bor). And what does JMS has to show for all this? One compelling story (Loki's, trying together the two-part flashback origin with the death of Bor) and the much-needed reduction of Thor's powers to manageable levels by removing the Odin-force and re-introducing Don Blake to the mix, both of which are good moves in terms of making Thor a viable character who can actually interact with the Marvel Universe without overpowering it.

Was JMS's run on Thor bad? No, not by any means. But was it as good as some critics and fans (like the slurpers at IGN.com) would have you believe? Hell no. In the end his run was a solid if plodding reintroduction of Thor to the land of the living and in the process he did a lot of important infrastructure work on the character. Unfortunately, it came at the expense of actually telling interesting stories. Let's hope those who follow him on the book can take this two and a half year setup and actually -- finally -- do something with it.


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Thursday, August 13, 2009

New Comic Cavalcade

This week our reviews include Thor #602, RASL #5 and Captain America #601. Okay, so none of these books came out this week, but whatever. If Cap can bounce through time, then so can I.


Thor #602

J. Michael Straczynski, Marko Djurdjevic, etc.

First off, let me say that it’s nice to have the real numbering back on Thor. Yes, Marvel has taken some guff for its policy of slapping numbers onto comics seemingly at random, but some titles just don’t look right with single digits. 602 is looking good on Thor.

Something else that’s looking good on Thor? The pencils of Marko Djurdjevic. Sorry to all the people who love Oliver Coipel, but I’ve had my fill of the new “fat face” look. Coipel’s Thor looks way to much like Roger Clemens for my taste; I’m surprised he can get that sweaty moonpie to fit through the neckhole of his shirt. Djurdjevic’s Thor has more of an Albert Pujols look to him; muscular, yet slender without going into Andre Dawson territory. It’s just better suited for Thor. Or, apparently, for the NL All-Star team.

As far as the actual story in #602, well, eh. Every time a new issue of Thor comes out I have to put on my sound dampening headphones to drown out the clamor of the furious fanwanking coming from my internet speakers, but personally I haven’t quite understood the love. Like, yes; love, no. I mean, I’ve liked the run and I like this issue, but the way people are talking you’d think it was the second coming of Walt Simonson – that is, if any of the people commenting have even read Walt Simonson, which I tend to doubt.

In this issue we finally learn Sif’s fate, a mere 15 issues into JMS’s run. I know decompression is all the rage, but at this point Thor has given me a massive case of the bends. There have been some very cool moments in JMS’s Thor, but they have been spaced out so much that I could drive Toothgrinder between them and have elbow room on either side. I do appreciate some of the grunt work that JMS has had to do to get Thor functional again; turning the crown over to Balder so he’s not stuck in king mode, the loss of the Odin force in this issue and the general reducing of Thor to reasonable power levels over the course of this arc are all things that should make Thor into a viable character again going forward, one that can actually interact with the rest of the Marvel Universe. But balanced against this is some weird, seemingly pointless navel gazing (I’m looking at you, state of Oklahoma) and the fact that most Asgardians still seem like immature morons.

If this all seems pretty negative, well, it’s simply my attempt to let some of the hot air out of the high flying JMS Thor hype balloon before it reaches escape velocity and shoots into outer space. The series is pretty good – the writing is pretty good and the art is pretty good and this specific issue is even pretty good. But if, like me, you think it shouldn’t take two years to say “Thor’s alive”, then you’d be better off borrowing your friend’s trade and reading it all at once. Because setting Thor up isn’t enough any more; it’s time to actually tell some stories with him.

My Grades: This issue gets a B. the run as a whole only gets a B-; some very good issues, but even more that seem like they are just filler.


RASL #5

Jeff Smith

I don’t know what “RASL” means. I don’t know what’s going on in this story. I don’t know why the main character kind of seems like an asswipe a lot of the time. But, there are a few things I do know about RASL and RASL #5.

Firstly, it’s all done by Jeff Smith, who did Bone, which was only one of the greatest comics of all time. I’d imagine it must be pretty hard to do something new after you finish a project like Bone. I mean, there’s just a wee bit of pressure, right? When you’ve shot the moon on your first try, you better aim for Mars with your second.

Which brings me to the second thing I can tell you, which is that it’s already pretty clear that Smith is aiming at a target I can’t even see. I don’t know just what, yet, but something is sure as hell going on in these first five issues. And if you’ve read Bone, you know that whatever you think the premise of the series is at the start, it may end up being something very different by the end from what you imagined.

Now, I know this is a bit ironic considering I just busted JMS for decompression and here I am saying that we should just give Jeff Smith as much time as he needs to develop whatever it is that he’s doing. But when Smith’s characters are talking, you feel like they’re saying something; when the characters in Thor are talking, it feels like they’re saying nothing. It could simply be the difference between a creator owned property and a title where the writer doesn’t have full power to cut loose; but even when nothing is actually happening in RASL, Smith makes you feel like that nothing is itself something.

Plus, the dude has a lettercolumn, which right there means it gets a thumbs up from me. T. M. Maple would be so proud.

My Grades:
A for the comic, B for the main character being sort of a wanker


Captain America #601


Ed Brubaker, Gene Colan

The cover announces that this is a “very special issue of Captain America”, but let me put your minds at ease: contrary to rumors, this comic does not feature a young Gary Coleman being molested by his father’s business partner. Nor is teenage pregnancy or drug use addressed.

No, the reason this is special is that it features art from living legend Gene Colan. Colan, whose first comic work appeared back in 1944, is no stranger to Captain America, having penciled a classic run that included the Falcon’s first appearance as well as the Red Skull / Cosmic Cube epic that is a clear influence on the current Brubaker run. So it would seem like this is a perfect pairing.

And it’s not half bad. Colan has been slowed recently by some reported health issues, but the art inside, while maybe not up to some of his classic work from Tomb of Dracula, is still easily recognizable; for instance, it’s not messed up like some of Kirby’s “wonky eyeball” era art. There’s just no mistaking his moody, idiosyncratic style (even though some of Carmen Infantino’s later work seemed to be gravitating towards the same ideal). The story itself is fittingly dark and atmospheric and even involves a zombie attack during World War II, which is a nice nod to Colan’s body of work.

So, yeah, it’s totally fine. What, you think I’m going to pitch an 82 year old man under the bus? C’mon. I’m not a dick like that guy from RASL. I will admit that, even though I am a big fan of Colan himself (he is a very cool guy if you have the chance to meet him) I’ve never really gotten into his art. It’s just not my thing. And I can’t say I care for Cap stories set during World War II either; is it just me, or are they uniformly and universally tedious? But considering all the strikes against it, I’d say I enjoyed this book as much as could be hoped. Who knows, you might like it more than I did.

My Grades: If I didn’t like the creators so much it would get a B-, but since I do, I’ll give it a B+.


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