Game Review: Diablo 3

Diablo 3 is out. But is it a game? Or is it the most brilliant money making scam in internet history?

Movie Review: The Avengers

Okay, okay, I posted my Avengers review. Get off my back already, geez.

The Most Important Comic Book You've Never Heard Of

Action Comics #1. Detective Comics #27. Why is All-American Men of War #89 as important as these great comics -- and why have you never heard of it?.

Tales From the Vault: Lois Lane #93

If you thought Superman was a total tool before, you ain't seen nothing yet.

Mass Effect 3: The Official Review

Mass Effect 3 isn't the end of the world, it just portrays it.

Showing posts with label Barry Windsor Smith. Show all posts
Showing posts with label Barry Windsor Smith. Show all posts

Wednesday, September 9, 2009

The Real Top 70 Marvel Covers: #40-31

All this week we're counting down the REAL top 70 Marvel covers of all time, as opposed to the fan poll version that Marvel released on their official site. Not that fan opinion isn't great, but if it was the end-all, be-all of aesthetic judgment we'd all have been stuck reading Lobo vs. Howard the Duck three times a month. Tastes change, but classic art is forever.

Enough with the rationale, lets look at some cool comics! (And for a shortcut, here's the Real Top 70 Marvel Cover Master List).



40) Conan #1

Back in the late 1960's, those whacked out dope fiends known as the hippies re-discovered fantasy and helped turn it into a mainstream genre. But putting out a comic based on a forty-year-old swords and sorcery pulp character was hardly a sure bet. Marvel's decision to give licensed properties a try was a bold enough move; putting relatively unproven young penciller Barry Windsor in charge of the art was even bolder. The result, however, was a blockbuster smash, turning Conan into a mega-hit, leading Barry Windsor-Smith to become one of the most acclaimed artists in comics and paving the way for dozens of other wildly successful licensed properties for Marvel in the future. All of that was kicked off with this fantastic cover which could still front a new comic today and sell copies. Just a great piece of art and the foundation of fantasy as a viable comic book genre.




39) Amazing Spider-man #33

Arguably the most famous work Steve Ditko ever did, this cover of Amazing Spider-man leads into (as the blurb says) the final chapter of the epic Master Planner storyline. This multi-part tale capped the classic Lee-Ditko collaboration with one of the most legendary sequences in comic history, showing Spidey struggling to free himself from a collapsed building before the rising water drowns him. This cover encapsulates the mood of the story inside perfectly in one striking and memorable image. It's only fitting that perhaps the best Spider-man story of all time also had one of the best covers in the character's history as well.








38) Sgt. Fury and His Howling Commandos #13

Sgt. Fury #13 is interesting for a few reasons, almost all of which have to do with the guest appearance by Captain America. This was fairly soon after Cap's revival, so it's no wonder that he was so prominently feature don the cover. However, this seems to be one of the few times where the old "Because you demanded it!" line was actually accurate. The letter column in Sgt. Fury had been jammed with people begging for this crossover, but more evidence can be seen by what did not happen: in the 150+ issues of Sgt. Fury that followed this, no other Marvel hero ever appeared in the book despite repeated requests. Marvel wanted to keep the war action relatively realistic and balked at having any hero involvement, but just this one time, reader demand was so heavy they had to give in. As it happens, Jack Kirby provided one of the most iconic images of Captain America ever as a result, so it's a lucky break for comic fans that they did.



37) X-Men #1

The second X-Men #1 to appear on our list is the original, courtesy of Jack Kirby. Its inclusion here was earned by the numerous homages (including that Jim Lee version as well), as well as the fact that the team's massive popularity has made this a famous image among comic fans and, to a lesser extent, non-comic fans alike. Having said that, I'm not really a big fan and I suspect that had Wein, Cockrum, Claremont and Byrne not revitalized the franchise a decade later, few people would care much for this cover. That's not to say it's a bad cover, though. An interesting comparison is Avengers #1, which came out the same month, was also drawn by Kirby and features the exact same layout -- i.e. the villain on the left side of the cover with the arrayed heroes attacking him from the right. However, on the Avengers cover, the heroes seem to be kind of just milling around, whereas on the X-Men cover they are dynamic, springing to action. The white background also helps compared to the red color scheme on Avengers. Overall, then, I felt obligated to include this cover, so here it is, but it certainly doesn't warrant any higher rank than this.


36) Amazing Spider-man #40

Once Ditko was off the book, of course, Lee teamed up with Jazzy John Romita for a two-part epic that blew the doors off Spidey and comic book cliches both. The arch-villain learns the hero's identity? And vice versa? Wha huh?! It's always hard to replace a massively popular creator like Ditko, but Romita couldn't have hit a bigger home run that the classic covers he turned in on his first two issues. Just by looking at the cover you could tell that the book not only was in good hands, but that it might even be reaching new heights.










35) Avengers #16

The classic Silver Age barrage continues with Avengers #16. The historical importance of this issue is well known, so I won't rehash it here, but the importance of what happens inside the issue sometimes overshadows the iconic nature of the cover itself. The image of Captain America shouting "Avengers Assemble!" has become synonymous with the Avengers themselves over the years and has been homaged countless times. It's also just a really striking cover, thanks in large part to the blue background; but it's the text that really make this cover, which means this is also one of the only classic comic book covers known more for the blurbs on it than the art itself (which, by the way, is from Jack Kirby, of course).






34) Fantastic Four #49

Galactus! The Silver Surfer! The Fantastic Four! This cover showcases Jack Kirby at the height of his powers. It's just an epic image, with our heroes now small and running from the incredible might of Galactus, who is emerging from the clouds to blast them into oblivion. And while some cover blurbs can detract from the cover (for instance, the otherwise awesome Amazing Spider-man #40 which I just cited probably doesn't need that "Spidey Saves the Day!" blurb -- it gives away the ending a little and is also superfluous since the "End of the Green Goblin" below is much more powerful), this cover's "If This Be DOOMSDAY!" is just perfect. Stan and Jack, setting the bar for the rest of the industry on one great cover.






33) Strange Tales #167

Jim Steranko makes his much anticpated return to our list with this patriotic SHIELD cover. Steranko was no dope; he knew that the American flag is one of the most recognizable and iconic images in the world. It's no surprise then that his Captain America covers would be among the most famous ever produced. Here, on the less famous Strange Tales series, he toys with this theme to brilliant effect. Don't worry, though, we'll be seeing more of Steranko again later.










32) Hulk #1

Okay, everyone probably knows by this point how much I hate the Hulk. Specifically, I think he should only be used as an antagonist in other comics because his on series has pretty much been 45 years of desperate flailing as writers try to figure out some way to write stories about a one-dimensional, boring monster. Still, this is a cool cover. It's also interesting because for my money, the whole cover is made by the giant question mark. I'm not sure when this was decided on -- if Kirby drew the cover intending the question mark to fill that space all along, or if it was added in post-production -- but however it came about, it's a great piece of graphic design and turns an other wise solid cover into a really cool cover. Plus, this cover is also nice because if you were a kid seeing it on the stands, you would be tempted to read it due to your total ignorance of who the Hulk is -- if you don't already know how pointless he is, then this cover is a lot more appealing.



31) Amazing Spider-man #122

You may have gotten the impression that this part of the countdown is where I stuck a lot of the covers I was obligated to include but don't actually like that much. Well, here's Amazing Spider-man #122, which from what I gather is a favorite for a lot of people. It's a perfectly fine cover, and I certainly can't argue with its importance. However, on strictly aesthetic grounds, I much prefer the cover to the preceding issue, #121. Spidey freaking out as he looks at the head shots of his supporting cast against the brilliant yellow background is just sweet. This cover, on the other hand, doesn't really strike my match, but I seem to be in the decided minority on this count, so we'll just leave it at that.







Tomorrow: Hey, wait. Gwen Stacy got killed on the last cover, so the Silver Age must be over! So tomorrow you can expect more comics from the bronze age, the modern age, the golden age and every other age of comics. But mainly, the Steranko age. See you then!


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Monday, September 7, 2009

The Real Top 70 Marvel Covers: #60-51

We're counting down the real top 70 Marvel covers of all time as scientifically determined by yours truly. Of course, it's Marvel science, not real science, so there may be some unstable molecules involved in my thought process. Yesterday we counted down #70-61 and saw some great covers by legendary artists such as Jack Kirby, Jim Steranko and John Byrne. If that doesn't whet your appetite for today's smorgasbord of visual delights, I don't know what will; and don't forget, most of these you can click on to enlarge in order to drink in the goodness. And for a shortcut, here's the Real Top 70 Marvel Cover Master List.

On with the show!


60) Thor #126

Yesterday we brought you the cover of Thor #127; today it's #126 making an appearance on the chart. This mega throwdown between Thor and Hercules, but Jack "King" Kirby himself, was a great way to kick off Thor's new title -- this was the first issue after they dropped the Journey Into Mystery name and dedicated the book permanently to Thor. That helped clean up the design by removing the unnecessary textual clutter at the top; Kirby dynamism did the rest. This was part of a classic run on Thor that went on for several issues as Thor met and fought the Olympian pantheon and it brought out some of Kirby's best work. For another great cover that just barely missed our list, I recommend checking out the grandeur that is Thor #130.






59) Conan #24

This was the final issue of Barry Windsor-Smith's classic run on Conan, and what a way to go out. Voted by readers at the time as one of the top five covers of the year, this beautiful cover has only gotten better with age (and if you're wondering what cover beat it out in the vote, don't worry; that cover is on the list as well). Smith's excellent line work and tremendous attention to detail is balanced by the striking use of color here, making this one of the most visually appealing of his many great Conan covers.










58) Fantastic Four #112

Well, it's the Thing vs. the Hulk and as the cover says, that's about "'NUFF SAID". I will add, however, that the all-black background really makes this cover, but it doesn't necessarily make this cover unique; Thing had previously shown up on an almost identical cover a couple years earlier over on Sub-mariner #8. To be honest, I think the Sub-mariner cover is slightly more dynamic, as I like the angle and poses better. However, this cover has Hulk instead of Namor and that pretty much makes the difference for most fans. a striking and well remembered cover to be sure, rendered nicely by John Buscema. Interestingly, Buscema also did the cover for Sub-mariner #8 and would revisit this basic design idea -- heroes fighting each other on a black background -- several other times to even better effect, as we will see later in this countdown.





57) Iron Man #76

Ari Granov brings us this iconic image from 2004. Of all the covers on this list, Iron Man #76 is probably the least well known among comic fans in terms of the actual cover. It's particularly interesting, then, to note that this image is probably also the most well known and famous of all the images on this list among non-comics fans. That, of course, is due to the fact that the ubiquitous poster for the blockbuster hit film Iron Man was a exact recreation of this cover, only photographed. As it happens, though, the original cover is pretty awesome in its own right.









56) Alpha Flight #12

John Byrne shows up for what is certainly not his first or last cover on our list. It is, however, the only one that features Alpha Flight. Here, Byrne uses the classic comic motif of a character appearing inside a gun sight and stretches it as far as it can go. Add to that the blinding neon background and you have a cover that is both memorable and instantly recognizable for a legion of comics fans -- and that's without even mentioning the famous story inside the comic. Yes, believe it or not, Alpha Flight was once actually cool.










55) X-Men #136

Speaking of John Byrne and recurring cover motifs, here's another pieta image, this time featuring Cyclops and Dark Phoenix. This storyline is so well known that it can be a bit difficult to separate the importance of the story from the importance of the image. Several other covers from this era came close to making the list as well (and some will in fact show up later). I don't want this to be the Top 70 John Byrne X-Men covers, but you do really have to hand it to Byrne and inker Terry Austin, because they were on a serious roll.









54) Marvels #3

Alex Ross and Kurt Busiek blew the doors off Marvel with this series and of all the images and covers they produced, this is by far my personal favorite. As it happens, that sentiment is shared by... well, just about everyone. Not only is this a great image that sums up the entire X-Men milieu, it may be the coolest appearance of Angel ever. Just a great, great cover. I also want to add that the design of this comic -- with the acetate overlay so you can see the image with and without the logo -- is fantastic. I prefer it with the logo, but having the option is nice and looks slick to boot.









53) Avengers #223

Remember that one time when I said that everyone seemed to love Marvels #3? Well, truth be told, some people do like other covers on Marvels better. However, this issue of Avengers is a case where there really is a vast and silent majority of people who just love the cover. Done up but good by Ed Hannigan and Kalus Janson, this image may be the best known cover for either Hawkeye or Ant-Man, which is pretty good considering it fronts what is essentially a fill-in issue (but a really, really cool one). Of all the covers in Marvel history that did not make it onto their official list, though, there were probably more comments across the internet asking about the absence of Avengers #223 than any other cover, which I think came as a surprise to everyone. This is one of those covers where you love it, but you assume it's just you so you never really talk about it. Well, it's not just you -- this cover really is an all-time classic.



52) Marvel Mystery Comics #44

Arguably the most legendary cover artist of the Golden Age, Alex Schomburg was particularly known for his intensely busy and detailed war covers, featuring the Human Torch and the other Marvel characters going into battle against legions of enemies. While any of these might be worthy for inclusion on a top cover list, it's the cover of #44 that really stands out and is possibly his best known image. This is thanks to one thing: the Super Plane. It's just the kind of awesome idea a kid reading comics would go ape over, and evidence tells us that this was one of the most memorable images of the series for readers at the time. Not only is the Super Plane cool, though, it also gives Schomburg a single, central design feature to focus on, which is what really makes this cover stand out from his other great (but busy) works.




51) Captain America Annual #8

Mike Zeck strike again with this great shot of Wolverine fighting Captain America. These guys look like they mean business, and the stream of sparks trailing from Wolverine's claws is just a great detail. I'm not sure Zeck could draw a bad Captain America cover and this is no different; these guys really look like they mean business. Just a cool cover.












Tomorrow: Numbers #50-41 hit like an eyeball hammer! Alex Ross! Walt Simonson! Frank Miller! See you then.


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